Wednesday, January 13, 2010
A Decade In Music: The Singles (Part Two)
For the final part of our decade review, we look at the pick of the singles from 2005-2009:
Although Electroclash died almost as quickly as it had arrived, Electro itself would go on to mix with House to give the genre exactly what it needed to see it into the 21st century. Around the middle of the Noughties, Electro House became the epitome of underground dancefloor cool and Germany was the breeding ground for a new set of labels to push forward, once again simply by looking back and combining sounds and patterns that had previously been largely isolated from one another. As with every good thing though it couldn’t last, but far from dying, Electro House transcended underground cool to become the dominant sound of commercial dance music in the latter part of the Noughties and with it, lost much of the innovation that made it special before it became the next soundtrack to sell cars to.
Dub became the next retro sound to be brought back into the mix and this time it was youth once again making it's presence felt on the electronic scene. Grime sensibilities and 2-step rhythms mashed together in bedroom studios across south London by producers barely out of school kickstarted the mighty force that has become Dubstep. Initially characterised by lashings of bowel-shattering bass underpinning sparse percussion and vocal accompaniment, the scene evolved over the years (and continues to do so) but for us, it's been the splintering of Dubstep that has provided perhaps the most interesting developments as it takes onboard sounds from genres as wide ranging as Electronica, House, Hip Hop and R & B.
Dubstep has also had an undeniable impact on techno, initially felt when the likes of Skull Disco combined their particular Dubstep brand with the metallic sounds of Basic Channel, resulting in crossover hits championed by the likes of Villalobos and later the Hardwax / Berghain camps. Dubby sounds now inundate techno releases right from the laid back 'listening' end of the scale through to the reverb-drenched sounds used to fill out tougher dancefloor cuts. As techno approaches its 25th birthday, it celebrates by taking on board the best bits of the past, and while the bpms have dropped considerably from their 90s peak, any loss in dancefloor energy has been replaced by cerebral music motivating heads and hearts as well as just limbs.
Top 100 Tracks of the Decade (Part 2: 2005-2009)
Although Electroclash died almost as quickly as it had arrived, Electro itself would go on to mix with House to give the genre exactly what it needed to see it into the 21st century. Around the middle of the Noughties, Electro House became the epitome of underground dancefloor cool and Germany was the breeding ground for a new set of labels to push forward, once again simply by looking back and combining sounds and patterns that had previously been largely isolated from one another. As with every good thing though it couldn’t last, but far from dying, Electro House transcended underground cool to become the dominant sound of commercial dance music in the latter part of the Noughties and with it, lost much of the innovation that made it special before it became the next soundtrack to sell cars to.
Dub became the next retro sound to be brought back into the mix and this time it was youth once again making it's presence felt on the electronic scene. Grime sensibilities and 2-step rhythms mashed together in bedroom studios across south London by producers barely out of school kickstarted the mighty force that has become Dubstep. Initially characterised by lashings of bowel-shattering bass underpinning sparse percussion and vocal accompaniment, the scene evolved over the years (and continues to do so) but for us, it's been the splintering of Dubstep that has provided perhaps the most interesting developments as it takes onboard sounds from genres as wide ranging as Electronica, House, Hip Hop and R & B.
Dubstep has also had an undeniable impact on techno, initially felt when the likes of Skull Disco combined their particular Dubstep brand with the metallic sounds of Basic Channel, resulting in crossover hits championed by the likes of Villalobos and later the Hardwax / Berghain camps. Dubby sounds now inundate techno releases right from the laid back 'listening' end of the scale through to the reverb-drenched sounds used to fill out tougher dancefloor cuts. As techno approaches its 25th birthday, it celebrates by taking on board the best bits of the past, and while the bpms have dropped considerably from their 90s peak, any loss in dancefloor energy has been replaced by cerebral music motivating heads and hearts as well as just limbs.
Top 100 Tracks of the Decade (Part 2: 2005-2009)
- Âme - Rej // Sonar Collective, Innervisions (2005) - Superb techno epic with a wide ranging appeal - undeniably one of the best techno records of all time
- Andy Stott - Massacre // Modern Love (2007) - Stott has delivered a plethora of quality tunes over the last few years but for us, the laid-back dubby number is the pick of the bunch
- Appleblim & Peverelist - Circling // Skull Disco (2008) - Appleblim was the first to cross Basic Channel Techno with Dubstep. A whole new genre was born
- Audion - Mouth To Mouth // Spectral Sound (2006) - Proof that stripped down loopy techno minimalism can devastate a dancefloor
- Beck - Cellphone's Dead (Villalobos Entlebuch Remix) // Interscope (2007) - One of a host of remixes by Villalobos that defined his minimal sound
- Ben Klock feat. Elif Bicer - Goodly Sin // Ostgut Ton (2009) - Brilliant pairing of stripped down techno & haunting vocals - proof that the two can work together
- Benga & Coki - Night // Tempa (2007) - HUGE dubstep anthem
- Bjork - Dull Flame Of Desire (Modeselekor's Remix For Girls) // One Little Indian (2008) - Trancetastic synths combined with Bjork & Antony Hegarty's vocals to deliver a peak-time killer with a massive feelgood factor
- Bob Marley - War (Matty G Remix) // WAR001 (2007) - Speaker shaking remake of an all-time classic
- Bobby Peru – Erotic Discourse (Original + Audiojack Remix) // 20:20 Vision (2006) Massive synth hooks on this Electro House smash
- Booka Shade - Mandarine Girl // Get Physical (2005) - Massively uplifting house track for those hands in the air moments
- Burial - Archangel // Hyperdub (2008) Our only debate here was which Burial track to include on the list as he's delivered so many greats
- Claude VonStroke – The Whistler/Who’s Afraid Of Detroit? // Dirty Bird (2006) - Put VonStroke on the map. Whistler for the House heads, Detroit for the Tech heads
- Cobblestone Jazz - Dump Truck // Wagon Repair (2006) - Organic Jazzy Techno at its finest from Mathew Jonson and friends
- Danton Eeprom - The Infinity Project // Tsuba (2008) - Classy Electro Techno from Mr Eeprom which transcended its peers
- Datashat - Stop The Message // Handsette (2008) - Quirky electronic remake of an old Grandmaster
- Delia Gonzalez & Gavin Russom - Relevee (Carl Craig Remix) // DFA (2006) - No one could touch Carl Craig's remixes in 05/06
- Depeche Mode – The Sinner In Me (Villalobos Conclave Remix) // Mute Promo (2006) - Turned Depeche Mode's original into a minimal Ibiza anthem
- Disrupt - Selassi I Continually // Werkdiscs 2007 Closing track to Disrupt's debut album - feel the dub
- Dubfire - I feel Speed (Audion Mix) // Sci + Tec Digital Audio (2007) - One of Audion's best remixes with a big slo-mo breakdown
- Ellen Allien & Apparat – Jet (Paul Kalkbrenner Remix) // Bpitch Control (2006) - A perfect record made even better by Paul Kalkbrenner
- Frankie Valli - Beggin (Pilooski Edit) // 679 Recordings (2007) - Amazing rework of a track your parents used to dance to - why this didn't destroy the UK charts is still a mystery to us
- Gabriel Ananda – Dopplewhipper (Live) // Platzhirsh (2006) - Huge minimal Ibiza anthem
- Heartthrob - Baby Kate (Sascha Funke Remix) // M_nus (2007) The pick of the many versions of this track that did the rounds
- Hot Chip - Over And Over // EMI (2006) - Peak-time pop with superb crossover appeal
- Hot Chip - Boy From School (Erol Alkan Remix) // White Label (2007) - Erol took the already great original & elevated it to new levels
- Jackson & His Computer Band - Utopia // Warp (2006) - Yes, it was on the O2 advert but it's an undeniably great slice of electronica
- Joy Orbison - Hyph Mngo // Hotflush (2009) - Rightfully huge & guaranteed to bring happiness to the dancefloor
- Jus Wan - Action Potential // Applepips (2008) - Quality dubtec from a producer that still hasn’t been given the recognition he deserves
- Justice – Waters Of Nazareth (Erol Alkan’s Durr Durr Durrrrr Edit) // Ed Banger (2005) - Justice defined the French Ed Banger sound. Monster
- LCD Soundsystem - Tribulations (Original + Tiga Remix) // DFA (2005) - One of the best tracks from the first album, given extra muscle by Tiga
- Loco Dice - Seeing Through Shadows // M_nus (2006) - Another defining minimal track from Richie Hawtin's label
- M.A.N.D.Y. Vs Booka Shade - Body Language // Get Physical (2005) - Get Physical defined Electro House in the middle of the decade
- M.I.A - Paper Planes // XL Recordings (2007) - Brilliant use of samples on this worldwide smash
- Mala - Left Leg Out // DMZ (2006) Proof that Dubstep had more to offer than just earth shaking wobble basslines
- Marc Houle - Bay Of Figs // M_nus (2006) - Like an air raid siren going off wherever it was played - huge!
- Martin Buttrich - Full Clip // Planet E (2006) - Detroit Techno in the classic mould
- Martyn - Suburbia // Applepips (2008) - Sheer dubtec brilliance
- Martyn - Vancouver // 3062 (2008) - Another flawless Martyn production from his pivotal year
- Mathew Jonson - Marionette // Wagon Repair (2005) Jonson in cerebral mode - sparse evolving minimalism - very classy indeed
- Millie & Andrea - Temper Tantrum // Daphne (2009) - Huge speaker shaking bass harking back to the old school
- Moderat - Let Your Love Grow // De:Bug Hartwaren (2006) - Hillaire's silky smooth vocals and Modeseletor's dubby side delivered this standout track from Happy Birthday
- Modeselektor Feat. Thom Yorke - The White Flash // Bpitch Control (2007) - Mournful electronica beauty at its best
- Mount Kimbie - Maybes // Hotflush Recordings (2009) - A defining track of 2009, sets the template for the next decade
- Mujava - Township Funk (Original + Ashley Beedle's Africanz on Marz Re-Edit) // This Is Music/Warp (2008) - Ghetto tribalism with one of the best synth hooks of the decade
- Pangaea - Router // Hessle Audio (2008) - Dubstep at its most emotive and beautiful
- Redshape - Black Dust // Present (2007) - Essential square bass sonics from the man in the mask
- Redshape -Blood Into Dust // Delsin (2008) - Slow-paced techno killer with a colossal dark room vibe
- Rekorder - Rekorder 8.1 // Rekorder (2007) - Bodzin & Huntemann delivered a whole host of killers around this time but this is our pick of the bunch
- Rhythm & Sound - Dem Never Know (Sleeparchive Remix) // Burial Mix (2006) - Sleeparchive showing that he could turn his hand to more than just minimal 4/4 grooves - utterly essential
- Rustie - Jagz The Smack / Clipper // Stuffrecords (2007) - The EP that propelled Rustie into stardom - the only debate here is which track is the biggest killer
- Shackleton - Blood On My Hands (Original & Villalobos Apocalypso Remix) // Skull Disco (2007) - Shackleton moved Dubstep into minimal territory and Villalobos crowned it with his epic remix
- Shed - Estrange // Ostgut Ton (2008) - Epic electronica from an album which defined the Berghain sound
- Silent Servant - Violencia (Kalon Remix) // Sandwell District (2008) - Utter techno filth guaranteed to slay tougher flaws - we only discovered this in 2009 but were caning it all year
- Simon Baker - Plastik (Original & Todd Terje Remix) // Playhouse (2007) - A techno killer from Simon Baker also re-contextualized by Terje into a Space Disco epic
- Skream - Midnight Request Line // Tempa (2005) - A defining Dubstep record
- Solid Groove - This Is Sick // Front Room Recordings (2005) - Dave 'Switch' Taylor was responsible for a healthy number of quality productions throughout the noughties but as the title suggests, things don't get much sicker than this one
- The Chemical Brothers - Electronic Battle Weapon 8/Saturate // Freestyle Dust (2007) - The Chems proved they still had it with this anthem
- Theo Parrish - Falling Up (Carl Craig Remix) // Third Ear Recordings (2005) - Pick of the bunch from the Carl Craig remix years
- TRG - Broken Heart (Martyn's DCM Remix) // Hessle Audio (2008) -A mournfully emotive, yet uplifting remix from Martyn
- Zomby - Spliff Dub (Rustie Remix) // Hyperdub (2008) - Call it Wonky? Call it Aquacrunk? Nah, just call it genius in our books.
Labels: 2005-2009, Charts, Tracks
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That, guys is a quality list! Can't believe so many great tracks have been released in 10 short years!! Only thing, of the top of my head, that I would have included was James holden's mix of depeche mode of a few years back, still can't get enough of it!! Also would substitute Madam Hollywood for Goldenboy's 'Rippin Kittin' but that's just me:). Props for highlighting what a great decade it's been!
Yeah, was fun putting it together; especially the part where we played stuff that hadn't had an airing in a while.
Rippin Kittin made the shortlist (about 150 tracks) but fell off the final cut.
The Holden mix of DM's Darkest Star was cool too - from memory I think it was the dub I liked. I really like his remix of Black Strobe's Nazi Trance F*ck Off too - in fact I loved a load of his remixes - more so than his actual productions - although he had some good ones there too
Rippin Kittin made the shortlist (about 150 tracks) but fell off the final cut.
The Holden mix of DM's Darkest Star was cool too - from memory I think it was the dub I liked. I really like his remix of Black Strobe's Nazi Trance F*ck Off too - in fact I loved a load of his remixes - more so than his actual productions - although he had some good ones there too
Interestingly enough, I'd probably have picked the exact same records for the top tune of each half of the decade.
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